Photobook Phenomenon
VicenC Villatoro
ISBN 10: 8417047050 / ISBN 13: 9788417047054
Published by Rm/Ccccb/Fundacion Foto Colectania
Hardcover. Dimensions: 10.2in. x 7.5in. x 1.0in.As the photobook becomes increasingly broadly recognized as a genre with its own rich history, canon and critical culture, Photobook Phenomenon surveys the views of those who have played a leading role in defining this genre: Martin Parr, Gerry Badger, Markus Schaden and Frederic Lezmi, Horacio Fernandez, Ryuichi Kaneko, Erik Kessels, Irene de Mendoza and Moritz Neumuller. In addition, it features various contemporary artists who have contributed a genuine vision to the medium and who discuss the creative processes involved in producing a photobook: Laia Abril, Julian Baron, Alejandro Cartagena, Jana Romanova, Vivianne Sassen, Thomas Sauvin i Katja Stuke and Oliver Sieber. Photobook Phenomenon also explores the challenge of displaying a photobook through a number of interactive systems that make it possible to look through and experience the book and photography from diverse viewpoints.
Heinrich Hoffmann, ed.
Winterhilfswerk-Heftchen
(Winter Relief Fund Booklets)
Bild Dokumente Heinrich Hoffman, Munich, 1937-41
Der Fuehrer Macht Geschichte (The Fuehrer Makes History),
26 books x 36 pp; each book 49 mm x 37 mm (1,5# x 1,25#)
Paperbacks, aproximately 17 b&w photographs per book.
See also
Kampf in Holland Winterhilfswerk-Heftchen (Winter Relief Fund Booklets) Propaganda PARR/BADGER III Heinrich Hoffmann Photography
“ONE OF THE MOST POIGNANT PHOTOBOOKS EVER PUBLISHED”
KZ - Bildbericht aus fünf Konzentrationslagern.
N. p. Amerikanischen Kriegsinformationsamt im Auftrag des Oberbefehlshabers der Alliierten Streitkräfte. (1945). Contains 44 photographs, taken during the liberation of five concentration camps: Buchenwald, Belsen, Gardelegen, Nordhausen and Ohrdruf. First photo publication in postwar Germany. (28) p. In fine condition.
The aim of publishing this brochure by the American Office of War Information and the Psychological Warfare Division was to show the German population the horror of the death camps in Germany. However because of the inefficiency of the distribution most of the pamphlets were given to prisoners of war camps. Despite the large number of the publication only a few copies remained. The photographs of the pamphlet played important role as evidences in the Nuremberg Trials. It includes the famous and controversial photo of the Nobel Laureate Elie Wiesel in Buchenwald (first published in the “New York Times” on May 6, 1945 with the caption “Crowded Bunks in the Prison Camp at Buchenwald” taken inside Block 56 by Private H. Miller of the Civil Affairs Branch of the U. S. Army Signal Corps on April 16, 1945.)
[Parr-Badger I. p. 188; 194., Cornelia Brink - Ikonen der Vernichtung. Öffentlicher Gebrauch von Fotografien aus nationalsozialistischen Konzentrationslagern nach 1945. Berlin, 1998. Akademia Verlag.]
The Birth of Sweet Life Ed van der Elsken 1959 travelling from IJmuiden to Dakar Photography
Views & Reviews London Martin Parr Gian Butturini Photography
Amazônia (1978), de Claudia Andujar e George Love